The Main Chance
David Main is an ambitious, dynamic and highly capable young solicitor who, having gained valuable experience in London, returns to his native Leeds to establish a new practice. He's in law because it's the main chance-the main chance to make big money & the main chance to help his clients beat the system. Driven by a thirst for success, Main seeks out the most lucrative cases, but is also a man with a conscience who often acts for the most vulnerable and under privileged. While his occasionally impetuous approach can take him into difficult legal waters - to the distaste of his more reserved and cautious Leeds partner Henry Castleton - Main's acumen and resourcefulness rarely fail him.
John Stride (The Wilde Alliance) stars as David Main, alongside Kate O'Mara (The Brothers) as his wife Julia, with whom he has a turbulent relationship, and Anna Palk as his efficient and attractive secretary, Sarah, in this immensely popular drama from Yorkshire Television created by John Malcolm and Edmund Ward.
The Main Chance ran for four series between 1969 and 1975. In its first year it was Yorkshire's most successful drama series until then, and while it probably was also the company's most expensive, its success in the ratings and wide critical approval had made it seem a sure candidate early renewal. It seems however lead actor John Stride was wary of becoming type case, so it was 18 months before they started work on season two.
Edmund Ward contributed five of the scripts for the second series and was quoted as saying A series can never stand still, things have changed. Even the law itself, we make sure we keep up with that. The new divorce laws, for instance, are now making their impact in the courts. David Main himself has changed too. He has a deep respect for the law, he's hard, an individual, but he's able to relax more now. He's matured. The senior partner, Castleton, who represents the old guard of the profession, is just beginning to appreciate Main's talents, and with the highly efficient Margaret, they form a formidable partnership - TV Times (27th May 1972).
The show won a Hollywood International Festival of Drama prize
Series one was released by Network DVD in the UK on 18 May 2009,
This series finds Main re-evaluating both life and career as a face from the past brings formidable repercussions, a forceful newcomer joins the practice, and the conflict between Main's private life and his passion for work reaches a crisis.
This begins with Main at the top of his professional world. A successful future - despite hard economic times - seems assured. Somewhere, however, there is a lorry driver drinking just one pint too many... and in one terrible instant, David Main's life is changed forever, his entire future put at stake.
This man Stride
by Edmund Ward (TV Times 12-18 April 1975)
Three things surround us all our lives - air, build, and the law. But buildings are torn down or replaced, the air grows fresher or fouler. And the law changes in the same way.
This is why The Main Chance on Friday, is a new series. A lot of the rules have changed and David Main is adapting them, using them, sometimes skirting round them to solve the problems his customers push across the expensive desk. They could be your problems.
Since 1972, when Main was last seen using wits, energy and dedication on them, the solutions have changed - with more trouble for solicitors to face. Drive a car? Like a drink? There have been some very neat points of law on breathalysers lately.
Live in a furnished room? Or have one to let? There's now Usually security of tenure for furnished rooms. Problems both ways if you either want to move yourself or shift a tenant.
Find your corner grocer a bit edgy? It's because he spends his evenings filling in V.A.T. Forms and is likely to snarl at you: "We used to be a nation of shopkeepers. Now we're a nation of tax collectors."
If all of this sounds a bit political, it is. Parliament - your elected representatives-makes the law. And even parliament - like you - is surrounded by the law. The British government recently suffered its first defeat at the Court of Human rights in Strasbourg. Because a prison inmate who wanted to sue a prison officer for damages was denied access to a lawyer. This is everybody's changing background. This is the new background of the Main Chance.
in The Main Chance, Stride is surrounded by a cast which shares his views-without pomposity and with a lot of private humour. Stride shouting at John Wentworth, gowned a Recorder for his Henry Castleton part: "Tell the Judge to get his frock on straight or I'll get Danny La Rue to give him lessons."
Margaret Ashcroft, playing Henry's daughter, and bringing to the part her own deeply-felt social convictions, telling Stride and Wentworth in a coffee-break ad-lib: "I may be only a junior partner in this practice, gentlemen, but you still owe me 60p for sandwiches."
Glynn Edwards playing Walter Glegg, the ex-policeman turned solicitor's Legman, stands next to John Wentworth. Wentworth, dapper, white-haired, patrician, a Roman pro-consul, pillar of the law. Glynn-boat enthusiast-in his barnacle scrapping gear. Wentworth: "If you appeared before me in court in that nautical dustman's outfit, Glynn, I'd have no hesitation in giving you six months ." Edwards: "Wish you would, I'd get David Main to appeal, sue you for false arrest, make a packet." They go on to talk about pub music halls, another of Glynn's passions-his wife is a star performer in one.
John Batt looms in in-legal consultant to the series, co-creator, writer of four of the episodes. "Didn't have time to read Ray's script again on the plane back from Amsterdam but I'll brig the point up with learned counsel this afternoon." He means it and the counsel will be a QC
Batt solves problems for each script which would cost hundreds of guineas for a customer in real life. I told him this once. He said: "I don't see the difference. A character in a script is a customer in real life. He or she must be treated as such. There is no such thing as fictional legal advice, Either get it right, leave it alone or obtain and authoritative second opinion."
There is a meeting with Ray Jenkins-who wrote three episodes-out of breath from a meeting of the Executive Council of the Writers Guild. Sensitive writer, adept at peeling the thin onion skins of ordinary emotion and feeling and the sort of scrum-half who would break both your shin-bones in the first tackle. "Don't see it John," he says. "The law's wrong." John Batt thinks, quotes David Main. "It often is."
Court room drama... Private Agony..
David Main is a solicitor, one of the new breed who uses the law as a tool, ruthless enough to cut through the dusty traditions of profession, avaricious enough to turn bounty-hunter for the fat prizes at issue, fast and ambitious enough for his methods to bring him into abrasive conflict with both opponents and colleagues.
Some of his cases-and clients-leave scars on him, some of the decisions mean private agony. David Main is always running, always hating to lose, knowing all the risks, aware of the scars-and the consequences to his personal life-as he puts other people's problems before his own.
Based on the highly successful Yorkshire Television Series, written by Edmund Ward
Published by Weidenfeld & Nicolson: London, 1976, and by Coward, McCann & Geoghegan, Inc: New York: ISBN: 698-10816-7 (1977)